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The Wild Boar of Normandy

from Digital Portfolio by Lee Todd Lacks

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“The Wild Boar of Normandy” is based upon my experience of visiting the Omaha Beach War Memorial with my family in the summer of 1994. This story, which is entirely true right up until the point at which I first mention the elderly gentleman, was written two years later. The music for this track was recorded in March of 2006, and features a sound that I created by circuit-bending my Casio SK-1. When people ask me to define circuit-bending, I tell them that it’s very much like discovering several previously-unexplored rooms in your own home. Through this process, long-neglected noise toys such as Casio’s SK-1, Texas Instruments’ Speak ‘n’ Spell, and Milton Bradley’s Simon are purposefully short-circuited in order to produce startling sonic results. My SK-1 was modified by a gifted software engineer named John Staskevich, who designs and installs a wide variety of retrofit kits for consumer- and professional-grade electronics. When I informed John that my low vision might prohibit me from working with the light gauge wires that he typically included with his circuit-bending kits, he graciously offered to design a custom patchbay system that could be operated with banana cables, which were considerably more substantial than the wires.

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In the summer of 1994, my family and I traveled to France. While there, we visited the World War II memorial at Omaha Beach. The Omaha Beach war memorial consists of a large cemetery, where the Allied soldiers who fought and died in the Battle of Normandy have been laid to rest. If you visit the site, you can see the beach from the top of a steep hill, which overlooks the English Channel. Visitors are permitted to walk down to the beach. There is a narrow footpath, which winds down the hill and eventually falls away in to the sea. The hill is covered with a variety of thick shoreline vegetation: weeds and grasses, shrubs and mosses.

My brothers and I were interested in walking down to the beach, and so we looked to see where the footpath began. We followed a stone wall, which ran along the top of the hill, until we came to a gate. The gate was unlocked, however, fastened to it was a small sign which read in French, German, and English: “BEWARE OF WILD BOAR.” We found this sign to be most peculiar. On the one hand, we couldn’t understand why a wild boar would choose to roam in an area which attracted such a large tourist population. On the other hand, we couldn’t understand why the French government would allow a wild boar to run loose on the grounds of the one of the nation’s most revered historical sites.

As we stood in front of the gate, staring at the sign, a young boy came up behind us, clutching the hand of an elderly gentleman, who appeared to be the boy’s grandfather. Noticing the sign, the boy turned to his grandfather and said something in French. His grandfather responded in a voice which, to me, sounded quite solemn. I do not speak French, but my brother, Derek, is fluent in the language. My brothers and I let the boy and his grandfather go ahead of us, and after they had gone beyond hearing distance, I turned to Derek and asked, “What were they talking about?” My brother paused for a moment, appearing to be somewhat astonished. Finally, he began to explain.

“The boy had asked his grandfather about the boar. Now, I may have misunderstood, but I thought I heard the old man say that the boar has roamed this hill for the past fifty years, hunting the ghosts of the Nazi soldiers who died here. The spirits of the Nazis have been condemned to this place. They are seen only by the boar, which relentlessly pursues them for all eternity. No one has ever seen the boar, but many have heard it on dark, moonless nights, screaming its message of divine retribution: that all those who in life were consumed with hatred are now and forever consumed by it.”

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from Digital Portfolio, released October 23, 2018

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Lee Todd Lacks Portland, Maine

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